Erol Eskici

Erol Eskici's picture; it expresses itself like a quiet, half-mouthed word, far from the lightened fuss of art. More or less expressive, like a child's, often contains hidden voices that arise from an enigmatic vocabulary. As the viewer gets closer to these rustles, a noisy, dark area emerges; both far and near, it is a muffled noise that invisibility itself radiates against social phenomenon and its infinitely oppressive structures.Thus, a political content undoubtedly exists within this density organized by the play of light and shadow.